|
|
|
Louis Le Nain Landscape with Peasants 1640
The National Gallery of Art, Washington DC
|
|
|
|
|
|
|
|
|
|
Louis Le Nain Peasant Family in an Interior (mk05) Canvas,44 1/2 x 62 1/2''(113 x 159 cm)Acquired in 1915
|
|
|
|
|
|
|
|
|
|
Louis Le Nain Peasant Meal (mk05) 1642
Canvas,38 1/4 x 48''(97 x 122 cm)Bequest of Dr.Louis La Caze 1869
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Cart or the Return from Haymaking (mk05) 1641
Canvas,22 x 28 1/4''(56 x 72 cm)Legacy received in 1879
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Adoration of the Shepherds (mk05) 1630-1632
Canvas 113 x 55''(287 x 140 cm)Seized in the Revolution INV
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Pilgrims at Emmaus (mk05) Canvas,29 1/4 x 36''(74 x 91 cm)Chapel of the Chateau de Rochambeau in Vendomois (until after 1948);Comte Andre de Montalivet;acquired for the Louvre in 1950
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Guard Romm (mk05) 1643
Canvas,46 x 54''(117 x 137 cm)Acquired in 1969
|
|
|
|
|
|
|
|
|
|
Louis Le Nain A Farrier in His Forge (mk05) Canvas,27 1/4 x 22 1/2''(69 x 57 cm)Acquired for the collection of Louis XVI in 1777
|
|
|
|
|
|
|
|
|
|
Louis Le Nain La Charette (mk08) 1641
Oil on canva,
56x72cm
Paris,Musee Natonal du Louvre
|
|
|
|
|
|
|
|
|
|
Louis Le Nain Peasants at their Cottage Door,undated (mk08) Oil on canvas
55x68cm
San Francisco,The Fine Arts Museums of San
Francisco,Californai Palace of the Legion of Honor
|
|
|
|
|
|
|
|
|
|
Louis Le Nain Venus in the Forge of Vulcan (df01) 1641
Reims,Musee Saint-Denis
|
|
|
|
|
|
|
|
|
|
Louis Le Nain A Visit to Grandmother mk65
1640s
oil on canvas
23x29"
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Milkmaid's Family mk65
1640s
Oil on canvas
20x23"
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Peasant Family mk68
Oil on canvas
Paris
c.1640
France
|
|
|
|
|
|
|
|
|
|
Louis Le Nain La Charette mk86
1641
Oil on canvas
56x72cm
Paris,Musee National du Louvre
|
|
|
|
|
|
|
|
|
|
Louis Le Nain Peasants at their Cottage Door mk86
undated
Oil on canvas
55x68cm
San Francisco
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Milkwoman-s Family mk91
1640s
Oil on canvas
51x59
|
|
|
|
|
|
|
|
|
|
Louis Le Nain The Cart or Return from Haymaking mk156
1641
Oil onwood
56x72cm
|
|
|
|
|
|
|
|
|
|
Louis Le Nain Family of Country People mk156
1640
Oil on canvas
113x159cm
|
|
|
|
|
|
|
|
|
|
Louis Le Nain Visit to Grandmother mk159
1640s
Oil on canvas
58x73cm
|
|
|
|
|
|
|
|
| |
|
|
Louis Le Nain
|
1593-1648
French
Louis Le Nain Gallery
French family of painters. Antoine Le Nain (b Laon, c. 1600; bur Paris, 26 May 1648) and his brothers Louis Le Nain (b Laon, c. 1600; bur Paris, 24 May 1648) and Mathieu Le Nain (b Laon, c. 1607; bur Paris, 26 April 1677) lived together and shared a studio in Paris. Since the studio was headed by Antoine, he is assumed to have been older than Louis. The brothers reputation rests on a number of paintings signed Le Nain, on the basis of which other paintings (but no drawings) have also been attributed to them. None of the signed paintings bears a Christian name, and there is no secure way of attributing works to the individual brothers, although many attempts have been made. Eighteenth-century sale catalogues, fearful of anonymity, effectively chose from the three names at random. Since the writings of Witt (1910) and Jamot (1922) in particular, it has been habitual to ascribe small paintings on copper to Antoine, and austere, larger peasant scenes to Louis. This division of hands will be found in almost all the subsequent literature on the artists, although it must be stressed that there is no evidence at all to support it. Great efforts have also been made to identify works by Mathieu, since he survived his brothers by nearly 30 years and presumably continued to paint after their deaths in 1648. However, no such activity after 1648 is securely documented, and none of the surviving works bears a date later than 1647; and the arguments for a separate Mathieu oeuvre, though cogent, should not be regarded as conclusive. The outstanding feature of the work of the Le Nain brothers, and the basis of their celebrity since the mid-19th century, is the artists treatment of the poor.
|